Last night, we watched Eye in the Sky, a 2015 thriller that centers around a drone strike on a terrorist group. I didn’t expect to like it, but it was very moving and thought-provoking. It did an amazing job of bringing the complex world of counter-terrorism, international military cooperation, and the unique ethical considerations of drone warfare to life.
The film humanises “collateral damage” by giving a backstory to a little girl, Alia, who happens to sell bread near the strike target. She has no idea that US and UK military officials are watching the house behind her, or that some of the most wanted terrorists in the region are preparing bombs inside it. She’s just selling bread. Her parents are lovely, of course, and they go against the oppressive regime’s misogynistic attitudes by educating her and allowing (even encouraging) her to play. You’re rooting for her, and it’s incredibly sobering to think of all of the real life humans like her whose deaths have been described as “collateral damage”.
Phil Taylor used to talk about his work with US and UK soldiers and officials, and how modern technology had turned warfare into a video game–how physically removed they had become, how you no longer wait to see “the whites of their eyes” before firing a weapon. This film proposes that, despite the physical distances involved, drone warfare still involves significant emotional intimacies and ethical dilemmas.
It also happened to be Alan Rickman’s last film, and he was brilliant, as usual. He was very human, real, and his performance was heartfelt, while at the same time deadly serious (it’s his voice, and the subject matter).
Phil Taylor, Munitions of the Mind, 2003, Manchester University Press